The true figures of Paco León: the economic situation of the man responsible for the return of 'Aída'

The return, even if it is as a tribute, of the legendary series 'Aída' that left us ten years ago is one of the most celebrated events of recent weeks, and if it remained on the air for nine seasons, it is evident that It had a more than numerous audience that could support its long duration. So much so that now there are still many who they wait excitedly being able to see Luisma, Jonathan, Soraya or Aída herself on the screen again. Paco León will make it possible. In fact, the first is one of the most anticipated characters and one of the actors who most knew how to take advantage of the good pulse of fiction to carve out a niche in the industry and not stop working. Since then he has done it non-stop, both in front of and behind the cameras. Paco León has become one of the great actors and directors of our country, who has also managed to bring fame to his entire family, not only his sister, María León, who does have training as an actress, but also his mother. , Carmina Barrios, whom we have seen as the protagonist of her own film 'Carmina y amen'.Paco is comfortable both in front of the spotlight and behind the cameras, sitting in front of the script or at a meeting with investors. However, there are other aspects that are related to the medium that it is not so good at, and it is precisely everything that has to do with economics and management of incomeThis was what he himself confessed for the first time during a visit to La Resistencia, David Broncano's program, and he later confirmed it in 'El Novato' alongside former soccer player Joaquín Sánchez. He then explained that although he had earned a lot of money with the series, and that in fact the figure was larger each season because he was asking to increase his cache, the retroactive change of criteria of the Tax Agency when declaring this type of activities he ruined all his savings, because like many other actors or artists He had to pay a large amount that made a significant hole in him.But he was able to move forward. And, although it may not seem like it, being able to pay the Treasury everything that was demanded was also a luxury, one that many colleagues could not or did not want to afford and got into lawsuits. And despite all that outlay, Paco was investing in different properties: a penthouse in Madrid, right in the center; another penthouse also very well located in Barcelona, ​​where he has spent many seasons; and two houses in Seville, in his homeland, which are his most prized properties. For all of them he has had to pay the mortgage, and that is where the debts that he talked about in the aforementioned programs are. But since he has been lucky enough to never stop working, little by little he has been recovering, and in fact in his company, Andy Joke SL, which Ana Rodríguez, his ex-wife and mother of his daughter, helps him manage. Both maintain an excellent relationship despite the fact that they very discreetly separated their paths in 2020 after twenty years together. The company was registered in 2008, he has always been and continues to be its sole shareholder and the numbers in the last year have not been very buoyant. In 2023 the year closed with losses slightly higher than 33,000 eurosAlthough it is not a very significant figure, we take into account that the company's total assets are 1.1 million euros.Paco León with his mother Carmina Barrios. Gtres Taking into account the debts and what it means to create projects from scratch, which is what he has done on many occasions, such as in his mother's films and in this own sequel to Aída, projects for which investors are sought but that require a large financial injection, an entity valued at 1.1 million euros and a more than consolidated and capable of generating enthusiasm and expectations in the public what he is achieving with the return of the series are signs that things are going well and that Paco León may not be a millionairebut you can live with peace of mind and without worrying too much about the amount when you swipe the card, something that not everyone achieves.

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